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1568
設(shè)色紙本 鏡片
1973年作
款識(shí)：倒拔垂楊圖。癸丑初冬，良公寫(xiě)。
鈐印：關(guān)良（朱）
說(shuō)明：本拍品由委托人直接得自畫(huà)家本人。
GUAN LIANG (1900-1986) PULLING OUT THE WILLOW
Ink and color on paper, mounted
Dated 1973
Provenance: The client acquired the lot from the artist.
91×41cm
RMB: 280,000-380,000
關(guān)?良?1900年生于廣東番禺。1917年赴日本學(xué)習(xí)油畫(huà)，先入川端研究所師從畫(huà)家藤島武二，后轉(zhuǎn)入“太平洋畫(huà)會(huì)”，師從中村不折先生學(xué)習(xí)素描和油畫(huà)，1923年畢業(yè)于東京太平洋美術(shù)學(xué)院。曾任上海美術(shù)專(zhuān)科學(xué)校教授、浙江美術(shù)學(xué)院教授、上海中國(guó)畫(huà)院畫(huà)師、中國(guó)美術(shù)家協(xié)會(huì)理事。代表作有《孫悟空三打白骨精》《靈巖山》。
Guan Liang was born in Panyu, Guangdong Province in 1900. At the age of 17, he went to Japan with his brother and studied art under the instruction of Fujishima Takeji in Kawabata Institution and later Nakamura Fusetsu in Pacific Art Association. In 1923, he graduated from Tokyo Pacific Academy of Art. After returning to China, he served teaching positions in Shanghai Academy of Fine Arts and Zhejiang Academy of Fine Arts. He was also a professional artist in Shanghai Academy of Chinese Painting and director of China Artists Association. His representative works include Monkey King Beats the Monster Three Times and Lingyan Mountain.